Update docs for OptionChannelsTogether
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@@ -353,9 +353,8 @@ public:
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* processing.
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* processing.
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*
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*
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* 11. Flags prefixed \c OptionChannels control the method used
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* 11. Flags prefixed \c OptionChannels control the method used
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* for processing two-channel stereo audio. These have different,
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* for processing two-channel stereo audio. These options may not
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* but related, effects in the R2 and R3 engines. These options
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* be changed after construction.
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* may not be changed after construction.
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*
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*
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* \li \c OptionChannelsApart - Channels are handled for maximum
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* \li \c OptionChannelsApart - Channels are handled for maximum
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* individual fidelity, at the expense of synchronisation. In
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* individual fidelity, at the expense of synchronisation. In
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@@ -364,19 +363,20 @@ public:
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* higher. In R2, it means the stereo channels are processed
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* higher. In R2, it means the stereo channels are processed
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* individually and only synchronised at transients. In both
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* individually and only synchronised at transients. In both
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* engines this gives the highest quality for the individual
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* engines this gives the highest quality for the individual
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* channels but a more diffuse stereo image and an unnatural
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* channels but a more diffuse stereo image, an unnatural
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* increase in "width". This option is the default.
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* increase in "width", and generally a loss of mono
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* compatibility (i.e. mono mixes from stereo can sound phasy).
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* This option is the default.
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*
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*
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* \li \c OptionChannelsTogether - Channels are handled for
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* \li \c OptionChannelsTogether - Channels are handled for
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* higher synchronisation at the expense of individual
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* higher synchronisation at some expense of individual
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* fidelity. In the R3 engine, this means stereo synchronisation
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* fidelity. In particular, a stretcher processing two channels
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* is maintained more closely for the full frequency range. In
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* will treat its input as a stereo pair and aim to maximise
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* R2, it means the first two channels are considered to be a
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* clarity at the centre and preserve mono compatibility. This
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* stereo pair and are processed in mid-side format, with mid
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* gives relatively less stereo space and width than the
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* and side processed as if they were separate channels before
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* default, as well as slightly lower fidelity for individual
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* being recombined. This usually leads to better focus in the
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* channel content, but the results may be more appropriate for
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* centre but relatively less stereo space and width and lower
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* many situations making use of stereo mixes.
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* fidelity for individual channel content.
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*
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*
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* Finally, flags prefixed \c OptionStretch are obsolete flags
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* Finally, flags prefixed \c OptionStretch are obsolete flags
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* provided for backward compatibility only. They are ignored by
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* provided for backward compatibility only. They are ignored by
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